New Yorker scribe who trashed Sydney Sweeney as ‘Aryan princess’ has dark history

In what might be the least surprising news of the week, a writer for The New Yorker who trashed Sydney Sweeney as an “Aryan princess” appears to be a full-blown racist herself.

Doreen St. Felix deleted her X account after sunlight was shone on her dark history of anti-white, antisemitic posts after her venomous recent article on the buxom white actress’s “great jeans” ad for American Eagle, which triggered leftists who likened it to “Nazi propaganda” and wailed that it was a dog whistle to white supremacists.

In her piece for the Conde-Nast publication titled “The Banal Provocation of Sydney Sweeney’s Jeans,” the writer claimed that Sweeney’s fans desire to “recruit her as a kind of Aryan princess,” and that there are “plenty of reasons” to dislike the American Eagle ad.

But as seems to be a common trait with modern era “journalists,” St. Felix seems to be a hate-filled bigot who has frequently expressed her racist views on social media which have been shared by X users, including Chris Rufo who has been instrumental in exposing DEI and CRT as the publicly accepted cloak for the vile anti-white ideology that permeates the political left.

“I hate white men,” St. Felix declared in one now-deleted post.

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“You all are the worst. Go nurse your f**king Oedipal complexes and leave the earth to the browns and the women,” she wrote in a doozy from 2014.

In 2015, she wrote, “white people, who literally started a plague because they couldn’t wash their asses, need never to say they taught black people hygiene.”

Another topic frequently mentioned by St. Felix is the Holocaust.

In December 2014, she posted that “it’s tricknological, when white people invoke their holocaust, allows them to step out of their whiteness and slip on fake oppression.”

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Six months later, she wrote, “like you know the experimenting on living people nazis did during the holocaust? That’s what happened to black women but a hundred fold.”

After being outed as a flaming racist, St. Felix – who has written for the left-wing publication since 2017 – destroyed the evidence.

She has also contributed to Time Magazine, New York, Vogue, The Fader, and Pitchfork, according to her New Yorker profile, which remains up despite her history of virulent anti-white racism. St. Felix was honored by Forbes, which included her on its “30 Under 30” media list in 2016.

It’s unlikely that St. Felix will face any disciplinary action from the publication, which, as Rufo notes, has its own issue with whiteness.

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“The @NewYorker is facing a dilemma. If they fire Doreen St. Felix, their left-wing employees and subscribers will screech. If they do not, they look cowardly, associate their brand with weapons-grade race hatred, and risk a federal civil rights investigation,” Rufo wrote on X. “Let them squirm.”

Chris Donaldson

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