An art museum in the U.K. is warning visitors that pictures that depict the pastoral British countryside can trigger “dark nationalist” feelings.
Cambridge University’s Fitzwilliam Museum is revamping some of its displays to be compatible with leftist sensitivities of the modern era although the museum’s director bristles over the idea that the overhaul is “woke,” a term that is rapidly becoming a dirty word.
“I would love to think that there’s a way of telling these larger, more inclusive histories that doesn’t feel as if it requires a push-back from those who try to suggest that any interest at all in [this work is] what would now be called ‘woke’,” Luke Syson told The Telegraph.
A new sign advises “rolling English hills” can evoke feelings of “pride towards a homeland” in an apparent effort to promote a certain stigma about the past that’s incompatible with current-day cultural cleansers.
If your ideology makes you afraid of paintings by John Constable, it is probably time to question your ideology. And also time to ask yourself whether you really are ‘the good guys’. pic.twitter.com/C8cjX3pwvq
— JerryS01 (@JerryS01) March 16, 2024
In a gallery that displays “a bucolic work” by British artist John Constable who is renowned for his bucolic paintings of country settings, patrons are advised that “there is a darker side” to the “nationalist feeling” that could be evoked by images of the countryside.
“Landscape paintings were also always entangled with national identity,” reads a sign in the Nature gallery. “The countryside was seen as a direct link to the past, and therefore a true reflection of the essence of a nation.”
“Paintings showing rolling English hills or lush French fields reinforced loyalty and pride towards a homeland,” the museum warns. “The darker side of evoking this nationalist feeling is the implication that only those with a historical tie to the land have a right to belong.”
According to The Telegraph, visitors to the new Identity gallery are informed that “uniformed and wealthy sitters” portraits “became vital tools in reinforcing the social order of a white ruling class, leaving very little room for representations of people of colour, the working classes or other marginalized people”.
The museum’s denigrating of the past and those who have wistful feelings about a more traditional – and saner – time was slammed by X users.
In an ever growing catalogue of woke fuckwittery and the rapid & steep decline of western academia…..
Here is another example from The Fitzwilliam Museum and Cambridge University. pic.twitter.com/RL7WWzGzAO— Cold957 (@cold957) March 16, 2024
Landscape paintings are some of the most beautiful pieces of art out there. They don’t evoke “nationalist feelings,” they evoke beauty.
— Sterling Mosley (@sterling_mosley) March 15, 2024
It’s just a reminder of a more civilized age.
When there weren’t Jamaicans and other people who shouldn’t be in Britain smoking weed, stealing and fighting each other with machetes in the streets.
Can’t have that.
— Cesare Borgia (@SirCesareBorgia) March 15, 2024
These people hate you
— beans (@melliebeanie) March 15, 2024
A bittersweet reminder of what was stolen from us, an inheritance we have been denied by scum politicians, ‘experts’, and so-called elites.
— HairballSmith (@HairballSmith) March 15, 2024
The curators at the Fitzwilliam should be relieved of their positions and never be allowed near classic works of art again
— NeedsSalt (@StilNotHavin_It) March 15, 2024
Meanwhile, the “woke” conquest of Western civilization continues in jolly old England.
BREAKING: London unveils the statue that will be built on the 4th Plinth in Trafalgar Square, 2026 pic.twitter.com/huH7rHMWeP
— End Wokeness (@EndWokeness) March 15, 2024
This revolting statue is to be put on the Fourth Plinth in Trafalgar Square. Called Lady in Blue, it “pays homage to a young, metropolitan woman of colour who could be just one of many Londoners today”.
She must be on her way to abusing @LeeAndersonMP_. pic.twitter.com/nJwJ2e64ee
— David Atherton (@DaveAtherton20) March 16, 2024
“Lady in Blue, a painted bronze statue by New York artist Tschabalala Self, was on Friday confirmed as the latest sculpture to be installed on the plinth, with an unveiling expected in 2026,” The Telegraph reported. “Described as a ‘young, metropolitan woman of colour who could be just one of many Londoners today’, the statue depicts a black woman wearing a blue dress and high heels midway through a confident stride.”
London Mayor Sadiq Khan has approved plans to install the symbol of “equity” in the high profile public setting. It’s akin to the “woke” revolutionaries who have taken over London planting their flag at the heart of the one-time capital of Western culture.
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