The early returns are in and a new movie in which one of the characters called white people the “most dangerous animal on the planet” is a box office bomb.
In a message to Hollywood that there is a decreasing demand for the “woke” propaganda that it relentlessly churns out, the “satirical” flick “The American Society of Magical Negroes” failed to find much of an audience for hating on whitey.
Despite being shown in 1,147 theaters, the film only managed to rake in a paltry $1.3 million, dismal receipts in what was described as a “box office bloodbath” by the popular End Wokeness social media account on X.
BOX OFFICE BLOODBATH.
Anti-White movie “The American Society of Magical Negroes” made just $1 million on opening weekend in the entire U.S.
It made a measly $310k on Sunday, a 34% collapse just since Friday.
In one scene, Whites are called “the most dangerous animal on the… pic.twitter.com/uRlFyR396n
— End Wokeness (@EndWokeness) March 19, 2024
“The American Society of Magical Negroes is a fresh, satirical comedy about a young man, Aren, who is recruited into a secret society of magical black people who dedicate their lives to a cause of utmost importance: making white people’s lives easier,” Focus Features described the film on its website.
The movie had previously sparked controversy over a line in the official trailer featuring the protagonist, Aren who is played by actor Justice Smith and his tutor Roger, played by David Alan Grier explain the mission of the titular society while standing in front of a picture of a shark.
“What’s the most dangerous animal on the planet?” Roger asks to which Aren replies “Sharks.”
He is corrected by Grier’s character who tells him “White people. When they feel uncomfortable. White people feeling uncomfortable precedes a lot of bad stuff for us. That’s why we fight white discomfort every day, because the happier they are, the safer we are.”
The dismal opening weekend receipts for the “The American Society of Magical Negroes” was celebrated by many on X who noted that the film’s anti-white message wasn’t one that would necessarily appeal to a widespread and diverse audience of moviegoers.
Super racist movie!
— Elon Musk (@elonmusk) March 19, 2024
Can’t imagine why openly hating a large demographic of movie goers didn’t pan out
— Western Lensman (@WesternLensman) March 19, 2024
This movie is magical alright, it literally made the entire audience disappear.
Impressive.
— Brandon T (@BrandontGoat) March 19, 2024
Original title: “White People are the Enemy: A Feel-Good Hollywood Story”
— Kyle Becker (@kylenabecker) March 20, 2024
Black people are 13% of the U.S. population.
Making a moving that’s offensive to a vast majority of Americans (including a lot of black people who despise this nonsense) is a recipe for the failure this film saw at the box office.
Nothing speaks louder than how money is spent.
— Paul A. Szypula (@Bubblebathgirl) March 19, 2024
THE MOST RACIST MOVIE I’VE EVER SEEN
— locdinwithzaza (@locdinwithzaza_) March 20, 2024
Nobody wants to watch this garbage!
— RedWave Press (@RedWave_Press) March 19, 2024
It wasn’t made in order to turn a profit. It was made to promote black racial grievance mongering and spread anti-whiteism.
— Pox Populi (@poxesfoxes) March 20, 2024
can you imagine if they made a movie with the roles reversed. the corporate press would lose their minds
— DEEP STATE (@deepstatefeds) March 19, 2024
I remember when movies weren’t political propaganda garbage supporting the destruction of our culture.
Those were the “good ole days”.
— Moral Authority Complex (@EhOHSeeLogic) March 19, 2024
And it has zero international appeal. The nation is tired of constant racism.
— Capitalist Mike (@Capitalist_Mike) March 19, 2024
If the roles were reversed, it would be canceled for promoting white supremacy. This is promoting black supremacy. Cancel it.
— Brandi Cole (@TheBrandiCole) March 20, 2024
Is this an obama movie ?
— Cindee (@mann612) March 20, 2024
“This conversation around the expectation that black people are prioritizing white comfort over our own history and our own sense of self is an incredibly contemporary problem,” the film’s director Kobi Libii told NBC News.
“That’s happening politically in America right now. You see these laws being passed in places like Florida around what black history is taught that are literally saying that elements of black history, things that really happened in America, cannot be said out loud in the classroom if it makes white kids uncomfortable,” Libii said.
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